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Heather Hadlock

Associate Professor
Ph.D., Princeton University (1996)

Special fields:  18th- and 19th-century French and Italian opera, feminist criticism and gender studies, and French Romanticism. Her current research encompasses operatic masculinities, opera in the digital age, and divas and technology.

Publications:  Mad Loves: Women and Music in Offenbach’s "Les Contes d’Hoffmann" (Princeton University Press, 2000) and has contributed to The Cambridge Companion to Rossini (Cambridge University Press, 2003); Women’s Voices Across Musical Worlds (Northeastern University Press, 2003); Berlioz: Past Present, Future (U of Rochester Press, 2003); Siren Songs (Princeton University Press, 2000). She contributed the annotated bibliography on "Women and Music" for the Oxford Bibliographies Online: Music (Oxford University Press, 2011). Articles and reviews in Cambridge Opera Journal, Journal of the American Musicological Society, Journal of Musicological Research, repercussions, Opera Quarterly.


Braun Music Center Rm. 231B

Fields of Interest

XVIIIth and XIXth century French and Italian opera, music and literature, feminist criticism and gender studies, French Romanticism